CMA Announces Country Music Hall of Fame Inductees
Includes Jimmy Dean, Ferlin Husky, Billy Sherrill
By Scott Stem and Bob Doerschuk
On Feb. 23, 2010 as a highlight of CMA’s seventh annual Artist Luncheon, it was announced that Jimmy Dean, Ferlin Husky, Billy Sherrill and Don Williams have been elected as the newest members of the Country Music Hall of Fame. The announcement was made before 185 artists and industry executives at the Luncheon, which took place appropriately in the Country Music Hall of Fame and Museum’s Rotunda, where bronze plaques display the likenesses and summarize the legacies of each member inducted since the Hall was launched by CMA in 1961. The new inductees will bring the total number of members to 112.
“These four gentlemen broadened Country Music immensely with their talents, exposing millions of fans around the world to our format,” said Steve Moore, Chairman, CMA Board of Directors. “Their contributions to the genre and to popular culture are immeasurable, and we are proud to award them the highest honor in Country Music.”
Due to a tie in the voting, both Dean and Husky will be inducted in the “Veterans Era” category, Williams in the “Modern Era category” and Sherrill in the “Non-Performer” category, which is awarded every third year in rotation with the “Recording and/or Touring Musician” and “Songwriter.”
These categories, as well as the voting process for Hall of Fame membership, were updated in 2009 and took effect this year. Replacing “Career Achieved National Prominence Between 1975 and the Present,” the MODERN ERA category is open to artists 20 years after they’ve first achieved national prominence and they remain eligible for the next 25 years. Combining “Career Achieved National Prominence Between World War II and 1975” with “Career Achieved National Prominence Prior to World War II,” the VETERANS ERA category becomes available to artists 45 years after they’ve first achieved national prominence. ROTATING CATEGORIES include three groups, designated “Non- Performer,” “Songwriter” and “Recording and/or Touring Musician,” each of which becomes open to new membership every three years.
The Veterans and Modern Era categories have separate Nominating Committees, each made up of 12 industry leaders who serve three-year terms. The Modern Era Committee also oversees the Rotating Categories. Final nominations are submitted to two separate Panels of Electors, made up of historians and industry professionals that have a historical perspective on Country Music. One panel votes for both Modern Era and Rotating Categories, while a second panel votes for the Veterans Era. Both panels are updated annually by the CMA Awards and Recognition Committee. Individuals can serve on both panels. All panelists remain anonymous.
Inductions will take place with the Medallion Ceremony, an annual reunion of Hall of Fame members, later this year at the Museum.
JIMMY DEAN Veterans Era Artist
Jimmy Dean is announced as one of the 2010 inductees of the Country Music Hall of Fame under the “Veterans Era Category” category. Photo courtesy of the Country Music Hall of Fame® and Museum.
Jimmy Ray Dean was born in Olton, Texas on Aug. 10, 1928, and raised by his mother in Plainview. She taught him piano when he was 10, which led him to pick up harmonica and accordion in his teen years. Dropping out of high school at 16, Dean joined the U.S. Merchant Marines for two years before enlisting in the U.S. Air Force. Stationed at a base in Washington, D.C., he first performed publicly with a band called The Tennessee Haymakers at nearby clubs. He remained in the area after he left the Air Force in 1948 and created a new band, The Texas Wildcats, which performed both in clubs and on radio with his own show on WARL in Arlington, Va.
In 1952, Dean toured the U.S. military bases in the Caribbean before returning to Washington, D.C., to record his first single for 4 Star Records. “Bummin’ Around” was released in 1952 and hit No. 5 on the Country singles chart. Broadcast pioneer Connie B. Gay offered Dean the opportunity to host “Town and Country Time,” a three-hour weekly TV show broadcast every Saturday night on the local ABC affiliate, WMAL. Roy Clark and Patsy Cline were among the artists who regularly appeared on the show. The popular Dean was later hired away to the CBS affiliate in the nation’s capital to host a live Country show. In 1957, he moved to New York, signed with Columbia Records and hosted “The Morning Show,” an early morning TV variety show for CBS TV.
In 1961, Dean wrote and recorded his signature song “Big Bad John” in Nashville. The song, which established his flair for spoken narratives, went to No. 1 on both the Country and pop singles charts. It also earned him the 1961 Grammy Award for Best Country & Western Recording. Additional popular singles followed in the next few years: “Dear Ivan,” “Little Black Book” and “P.T. 109” (about John F. Kennedy’s military adventure) all reached the Top 10 on the Country singles charts, while “To a Sleeping Beauty” and “The Cajun Queen” charted in the Top 20. All five of these songs also hit the Top 40 on the pop singles charts, with “P.T. 109” making the pop Top 10 as well.
During the early ’60s, Dean became Johnny Carson’s first guest host of “The Tonight Show Starring Johnny Carson” for the NBC Television Network. From 1963 to 1966, “The Jimmy Dean Show” aired on ABC TV and its host earned the nickname “The Dean of Country Music.”
This variety show regularly featured Country Music artists as guests, introducing George Jones, Roger Miller, Buck Owens, Charlie Rich and many more to a national mainstream audience. The show also featured frequent appearances from puppeteer Jim Henson, which made his piano-playing dog Rowlf the first Muppet to become a household name.
In 1966, Dean signed with RCA Records and placed “Stand Beside Me” in the Country Top 10 that year. Additional hits followed, including “A Thing Called Love,” “Born to Be by Your Side” and “A Hammer and Nails.” By now a top name in Hollywood, Dean was also a headliner at the Hollywood Bowl, Carnegie Hall, the London Palladium and other major venues, and he became the first Country performer to play the Las Vegas Strip.
He was a frequent guest on the talk show circuit, appearing often on “The Merv Griffin Show,” “The Dinah Shore Show” and “The Mike Douglas Show,” among others. He became a recurring character on the “Daniel Boone” TV series in the late ’60s, acted in several TV movies-of-the-week and in 1971 appeared as reclusive billionaire Willard Whyte in the James Bond film “Diamonds Are Forever” with Sean Connery. That same year he and Dottie West achieved a Top 40 duet on the Country singles charts with “Slowly.” His final hit was in 1976 with “I.O.U.,” a narrative tribute honoring his mother that reached the Top 10 on the Country charts.
During the late ’60s, Dean broadened his interests after buying a Texas hog farm and transforming it into the Jimmy Dean Meat Company in 1969. While he continued to record and act during the ’70s and ’80s, he spent much of his time on this new business as his sausage recipes, inspired by his grandfather, achieved mass popularity. The company soon became the most successful sausage company in America. Sara Lee Corporation acquired the Jimmy Dean Meat Company in 1984, but Dean continued to be company spokesperson and Chairman of the Board for nearly 20 years.
Dean married former Mercury/Polygram recording artist Donna Meade in 1991 and moved to an area just outside Richmond, Va. The couple co-wrote his autobiography, Thirty Years of Sausage, Fifty Years of Ham, which was released in 2004. The Deans recently wrote the song “Virginia,” which is slated to become that state’s next anthem. He was appointed by former Virginia Governor Jim Gilmore to the Board of Game and Inland Fisheries in 1998. Dean was inducted into the Virginia Country Music Hall of Fame in 1997, the Texas Country Music Hall of Fame in 2005 and the Meat Industry Hall of Fame in 2009.
FERLIN HUSKY Veterans Era Artist
Ferlin Husky is announced as one of the 2010 inductees of the Country Music Hall of Fame under the “Veterans Era Category” category. Photo courtesy of the Country Music Hall of Fame® and Museum.
Born Dec. 3, 1925 in Cantwell, Mo., and raised on a farm, Ferlin Husky learned to play guitar as a child from his uncle. He later moved to St. Louis and worked odd jobs.
From 1943 into 1948, he served in the U.S. Merchant Marines, U.S. Army and U.S. Coast Guard. During the D-Day invasion of Normandy in June 1944, he fought under more than 48 hours of gunfire at Cherbourg. He also occasionally entertained the troops aboard ship.
After the war ended, Husky returned to St. Louis and worked in radio alongside Gene Autry’s sidekick, Smiley Burnett. He moved to California in 1949 and acted in some bit parts in several Western movies before settling in Bakersfield, where he worked as a radio disc jockey. He also regularly hosted and performed a family-style show at the Rainbow Garden and other area clubs that featured musical performances, talent shows for kids and more.
Changing his name first to Tex Terry and then to Terry Preston, Husky signed with 4 Star Records in 1950. Although he had little success at 4 Star, he did meet Cliffie Stone, a performer who also managed Tennessee Ernie Ford, served as an A&R executive at Capitol Records and hosted the “Hometown Jamboree” show each Saturday night on radio over KXLA/Pasadena and on TV via KTLA/Los Angeles.
Stone signed Husky to Capitol Records with Ken Nelson as his producer. Although his first few singles were released under the Preston name, Husky soon reverted back to his birth name under Nelson’s urging. Before long he moved to Springfield, Mo., where he performed often on the “Ozark Jubilee.” In 1952, he moved to Nashville to be closer to the Country Music industry and became a frequent guest performer on the Grand Ole Opry.
Husky’s “Gone” topped the Country singles chart for 10 weeks in 1957. The song also reached No. 4 on the pop singles chart. A year later, he had a No. 2 hit as Crum with “Country Music Is Here to Stay.” Back as himself in 1960, Husky released his signature hit, “Wings of a Dove,” which was once again No. 1 on the Country singles chart for 10 weeks and reached No. 12 on the pop singles chart. He hit No. 4 on the Country singles chart in 1966 with “Once” and had his final Top 10 hit in 1967 with “Just for You.”
The singer remained on Capitol Records until 1972, continuing to have success with songs including “Every Step of the Way,” “Heavenly Sunshine,” “I Promised You the World,” “Sweet Misery,” “White Fences and Evergreen Trees” and more. Husky then signed with ABC Records, remaining with them through 1975. His last Top 20 hit was “Rosie Cries a Lot” in 1973.
Husky made appearances on several of the top TV variety shows of the time, including “The Steve Allen Show” and “Toast of the Town,” and also served as a summer replacement host for Arthur Godfrey on his self-titled CBS show in 1957. That same year, Husky branched out into acting, beginning with a role on an episode of “Kraft TV Theater” and an appearance as himself in the film “Mister Rock and Roll.” One year later, he acted in the movie “Country Music Holiday.” After a few years break, Husky returned to the movies in 1965, appearing as himself in “Country Music on Broadway” and acting as Crum in “Forty Acre Feud.” He portrayed the character Woody in “Las Vegas Hillbillys” (1966) and “Hillbillys in a Haunted House” (1967). His last film role was in “Swamp Girl” (1971).
In 1960, Husky was among the first Country artists inducted into the Hollywood Walk of Fame. Throughout his career, he toured in more than 62 countries. In 2005 at the age of 80, he released the album The Way It Was, featuring both old and new material, on the Heart of Texas record label. Leona Williams, who wrote the title cut, performed with him on two tracks.
BILLY SHERRILL Non Performer
Billy Sherrill is announced as one of the 2010 inductees of the Country Music Hall of Fame under the “Non-Performer” category. Photo courtesy of the Country Music Hall of Fame® and Museum.
Born Nov. 5, 1936 in Phil Campbell, Ala., Billy Sherrill was the son of an evangelist preacher. As a child, he learned piano and performed at his father’s revival meetings. After learning saxophone, he formed the rock ’n’ roll/R&B band The Fairlanes with his friend, Rick Hall. Although he was briefly signed as a solo artist to an independent record label in the late ’50s, he concentrated on songwriting. Sherrill co-wrote “Sweet and Innocent” (a hit for Donny Osmond) with Hall, with whom he created a publishing partnership Florence Alabama Music Enterprises (FAME Publishing).
Sherrill moved to Nashville in 1962 after receiving a royalty check in the mail and learning that an unknown Country artist had recorded one of his songs. Sam Phillips hired him to manage Sun Records’ Nashville studios. One year later, Sherrill moved to Epic Records as an in-house producer and was assigned to record any artist that the label’s other producers had rejected. He created his own production style based on his gospel background and the influences of producers Owen Bradley and Phil Spector. He broadened the Nashville sound of the 1950s by adding a modern, sophisticated sensibility while often using a generous amount of strings and background vocals.
In 1965, he achieved his first big success when David Houston hit No. 3 with the Sherrill-produced “Livin’ in a House Full of Love” (written by Sherrill and Glenn Sutton). One year later, Sherrill produced Houston’s “Almost Persuaded” (by Sherrill and Sutton), which spent nine weeks at No. 1 and was recognized with three Grammy Awards in 1966. The song became a standard and was recorded more than 100 times by artists as diverse as Louis Armstrong, Merle Haggard and Etta James, among others.
In 1966, Sherrill discovered the woman who would later be known as the First Lady of Country Music when a hairdresser named Wynette Byrd knocked on his door and asked for an audition. He signed the singer and suggested she change her name to Tammy Wynette. Under Sherrill’s production, Wynette’s first single “Apartment No. 9” was released in 1966. Her second single, “Your Good Girl’s Gonna Go Bad” (by Sherrill and Sutton), reached No. 3 and launched a string of Top 10 hits.
Wynette’s duet with Houston on “My Elusive Dreams” became her first No. 1 hit in 1967, and earned Sherrill and co-writer Curly Putman their first CMA Awards nomination. Sherrill’s and Wynette’s partnership continued as he produced her hit songs including, “I Don’t Wanna Play House,” “Take Me to Your World,” “D-I-V-O-R-C-E” and her signature song “Stand By Your Man,” which Sherrill and Wynette wrote in the studio in 15 minutes. That song earned them a CMA Awards nomination in 1969, and the recording was inducted into the Grammy Hall of Fame in 1999.
Wynette continued having hits under Sherrill’s production in the ’70s, most notably “Til I Can Make It On My Own,” written by Sherrill, Wynette and George Richey, which received a CMA Awards nomination in 1976. Sherrill brought Wynette’s then-husband George Jones to Epic in 1971 and produced his solo albums for two decades, which featured the hits “We Can Make It,” “The Grand Tour,” “These Days I Barely Get By,” “Memories of Us,” “If Drinkin’ Don’t Kill Me (Her Memory Will),” “Who’s Gonna Fill Their Shoes” and the legendary “He Stopped Loving Her Today.” He produced the Jones/Wynette duet projects. The couple would record together through 1980, even after their 1975 divorce, delivering such Sherrill-produced classics as “The Ceremony,” “We’re Gonna Hold On,” “(We’re Not) The Jet Set,” “Golden Ring,” “Two Story House” and more.
Sherrill signed Charlie Rich to Epic in 1968. This pairing resulted in huge success in 1973 with Behind Closed Doors, which propelled Rich to superstardom and contained three hit singles including the title track, “I Take It On Home” and “The Most Beautiful Girl.” The latter song, written by Sherrill, Norro Wilson and Rory Bourke, spent three weeks at the top of the Country singles chart and two weeks atop the pop singles chart and received a CMA Awards nomination in 1974. In addition, Sherrill and Wilson received a Grammy Award in 1974 for “A Very Special Love Song,” recorded by Rich.
After signing Barbara Mandrell to Columbia Records in 1968, Sherrill produced and wrote many of her early hits, including her first single “Playing Around with Love,” before she left the label four years later. By this point, Sherrill had become one of the most reliable hitmakers in Nashville. Throughout the ’70s, he wrote songs and/or produced for a wide variety of artists including Johnny Cash, Janie Fricke, Johnny Paycheck, Marty Robbins, Tanya Tucker, Bobby Vinton and Andy Williams.
In 1980, he was named VP/Executive Producer of CBS Records Nashville, the parent company of Epic and Columbia. He produced Elvis Costello’s Country album, Almost Blue, in 1981. Three years later, he produced Ray Charles’ Friendship, which featured Charles performing duets with Chet Atkins, Cash, Jones, Merle Haggard, Willie Nelson, The Oak Ridge Boys and others. After leaving CBS, Sherrill continued as an independent producer.
Sherrill was inducted into the NSAI Songwriters Hall of Fame in 1984, the Alabama Music Hall of Fame in 1995 and the Musicians Hall of Fame in 2008. He has 84 BMI Awards (66 Country, 17 pop, one R&B), more than any other Country songwriter. In 1999, Sherrill was named the BMI Country Songwriter of the Century.
DON WILLIAMS Modern Era Artist
Don Williams is announced as one of the 2010 inductees of the Country Music Hall of Fame under the “Modern Era Artist” category. Photo courtesy of the Country Music Hall of Fame® and Museum.
Don Williams, the man who would later be known as “The Gentle Giant” for his warm baritone and laid-back manner, was born May 27, 1939 in Floydada, Texas. Williams learned guitar from his mother during his childhood and performed in a variety of Country, folk and rock ’n’ roll bands during his teen years.
Living in Corpus Christi after high school, he partnered with Lofton Kline to form a musical duo called The Strangers Two. In 1965, they added Susan Taylor to the group and renamed themselves The Pozo-Seco Singers. The folk-pop group signed with Edmark Records, a local record label, and had a regional hit with their single “Time.” With that success, Columbia Records signed the group in 1966 and re-released the song nationally, where it entered the Top 50 on the pop charts.
The threesome had two additional Top 40 pop hits with “I Can Make It with You” and “Look What You’ve Done.” They disbanded in 1970 after releasing their fourth album. Williams moved to Nashville and signed as a songwriter with Jack Music, Inc., owned by legendary producer/publisher Jack Clement. In1972 he signed with JMI Records as a solo artist. While his first single “Don’t You Believe” did not receive much airplay, the 1973 follow-up “The Shelter of Your Eyes” reached No. 14 on the Country singles chart. He released a few more singles to varying degrees of success before hitting No. 5 with “We Should Be Together” in 1974. This success led to a recording deal with ABC/Dot Records. His debut single on the new label, “I Wouldn’t Want to Live If You Didn’t Love Me,” topped the Country singles chart in the summer of 1974.
During the 1970s, Williams grew into one of the most popular Country artists in the world with No. 1 songs such as “I’m Just a Country Boy,” “It Must Be Love,” “Love Me Over Again” (written by Williams), “Love Me Tonight,” “Say It Again,” “Some Broken Hearts Never Mend,” “Till the Rivers All Run Dry” (which he co-wrote with Wayland Holyfield), “Tulsa Time” and “You’re My Best Friend.” In addition to his American success, he gained a huge following in the United Kingdom and Europe. He was named CMA Male Vocalist of the Year in 1978. Williams also appeared in movies including “W.W. and the Dixie Dancekings” and “Smokey and the Bandit II.”
Williams wrote several of his hits, including “I’ve Got a Winner in You” (with Holyfield) and “Lay Down Beside Me,” both of which hit the Top 10 in 1978. But he also frequently recorded songs written by Roger Cook, Holyfield, Dave Loggins, Bob McDill, John Prine and Allen Reynolds, who produced several of Williams’ early albums. For more than 17 years beginning in the mid ’70s, Williams co-produced his albums with Garth Fundis.
Williams announced his “Farewell Tour to the World” in early 2006 and performed around the globe before wrapping up with his sold-out, final concert in Memphis, Tenn., at the Cannon Center for the Performing Arts on Nov. 21, 2006. He then retired from live performing, recording and public life. Among his many career accomplishments were 17 No. 1 hits and 13 CMA Awards nominations. He and his wife Joy celebrated 50 years of marriage on April 10, 2010.Jimmy Dean is announced as one of the 2010 inductees of the Country Music Hall of Fame under the “Veterans Era Category” category. Photo courtesy of the Country Music Hall of Fame® and Museum.
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