Suzanne
Ciani is a composer, recording artist, and pioneer in the field of
electronic music. She is best loved for her 15 albums of original
music which feature her performances in a broad array of expressions:
pure electronic, solo piano, piano with orchestra, and piano with jazz
ensemble.
No matter the medium, Ciani's music
communicates the special intimacy, passion, and sensitivity that has
become her trademark and prompted fans to buy over a million of her
albums. On her latest recording SILVER SHIP, her first CD of new
material in five years, she uses the sea as an inspirational starting
point and combines her early classical acoustic-piano training and
exploratory electronic-music roots to achieve the most mature musical
statement of her career.
Ciani's early albums were entirely electronic. She slowly
began incorporating acoustic instrumentation and eventually released
several solo acoustic-piano CDs. She also has recorded with full
orchestra (DREAM SUITE) and with The Wave, her own group of top jazz
musicians. SILVER SHIP slips back-and-forth between these styles
as it combines The Wave's acoustic instrumentation (piano, flute, oboe,
sax, cello, guitar and fretless bass) with rich synthesizer textures,
including leading-edge string arrangements. The new album and other
recordings by Ciani (pronounced cha-nee) are available in quality book
and record stores nationwide as well as online at sites such as
amazon.com, digital download locations and Ciani's own www.sevwave.com.
Ciani's family came from Italy, and after many visits, the
country has become her second home. About half the material on the
new CD was penned there while most of the rest was composed in her
Northern California home perched on a cliff above the Pacific
Ocean. Many of SILVER SHIP's song titles reference the ocean
("Wine Dark Sea," "Open Seas," "Sargasso Sea") or islands ("Capri,"
"Stromboli").
"I have always been inspired by the sea," she says.
"There is something eternal about the rhythmic aspect of one wave
following another. I came to appreciate that same symmetry in
oscillating sound waves when I was first exploring electronic music.
Also, the shape of a wave informed the structure of my early
compositions, building and then receding. My first album was
titled SEVEN WAVES, my record company is Seventh Wave Productions, and
in the early days I called my compositions 'Waves' and simply numbered
them. And SILVER SHIP is a metaphor for my willingness to 'set
sail' to find beauty again after the difficult post divorce
'shipwrecked' years."
But in addition to Ciani's recent life experiences and personal
growth, she brings a rich and varied musical history to her latest
recording. After hearing albums of romantic music by Grieg and
Rachmaninoff when she was seven, Suzanne taught herself to play piano
and read music. She received her formal training at Wellesley College
and went on to the University of California at Berkeley where she
received her Masters Degree in Music Composition. More
importantly, she met and studied under three of the founders of
electronic music – John Chowning, Max Matthews and Don Buchla.
Suzanne became entranced with the ability to produce music with
a machine, and she became a devotee of synthesizers for the next two
decades. Ciani was one of the very first women to make a name for
herself in the field. She began her experimentation with a Buchla
synth (the interface was done with dials, sliding knobs, patch cords and
voltage generators rather than a keyboard). She would program it
to compose and play endless compositions and then leave the massive
machine running for months at a time.
In 1975 Ciani moved to New York City, contributed to the SoHo
art scene, founded the Electronic Center for New Music, and began
introducing musicians such as minimalist Philip Glass and Patrick Moraz
of Yes to the possibilities of synthesizers. With the goal
of eventually recording her own music, she established Ciani Musica,
Inc, which quickly became one of the foremost commercial production
companies in the country, featuring Suzanne as a top "sound
designer." Soon she was in high-demand by the Fortune 500
companies and created award-winning musical scores and logos for
Coca-Cola (the Pop 'n' Pour campaign), Columbia Pictures, AT&T,
Pepsi, GE, Merrill Lynch and hundreds of others. Beyond the
corporate world, Ciani was in demand to bring her synthesized sounds to
pop and jazz records (Meco's "Star Wars" platinum hit, Spyro Gyra, the
Starland Vocal Band and CTI jazz artists) as well as projects such as
the movie "Fame" and a modern opera by Gian Carlo Menotti (she
created an original electronic score for one of his New York
productions). Suzanne also composed and produced the soundtrack
for Lily Tomlin's movie "The Incredible Shrinking Woman," and two
feature documentaries on the life and teachings of Mother Teresa.
These successes allowed Suzanne to start releasing her own
music on major labels beginning with the classic synthesizer album SEVEN
WAVES (first released on JVC in Japan and by Atlantic/Finnadar in the
US). With her next album, THE VELOCITY OF LOVE (first released on
RCA), the title track became #1 on the newly-emerging new age and
contemporary instrumental radio stations. Her music helped define
this new musical genre. Next followed five releases on Private
Music/Windham Hill/BMG, including the romantic NEVERLAND and HISTORY OF
MY HEART, the first PIANISSIMO (solo piano) and the Italy-inspired HOTEL
LUNA. Upon establishing her own independent label, she released
DREAM SUITE (recorded in Moscow with a 70-piece orchestra), two more
acoustic-piano solo outings (PIANISSIMO II and III), SUZANNE CIANI AND
THE WAVE: LIVE! (her jazziest production which also was filmed for PBS
broadcast and DVD release), TURNING and two collections (MEDITATIONS and
PURE ROMANCE). While always following her own muse, her recordings
became some of the bestsellers in the field and earned numerous
accolades and awards including five GRAMMY nominations. In
addition, Ciani has toured throughout the United States, Italy, Spain
and Asia.
On SILVER SHIP all the tracks are composed, produced and
arranged by Ciani (with string arrangements by Mitch Farber).
Playing the acoustic piano and synthesizer parts, Ciani is joined by her
band, The Wave, including reed player Paul McCandless (Oregon, Bela
Fleck, Paul Winter), flautist Matt Eakle (Dave Grisman Quintet, Jerry
Garcia), guitarist Teja Bell (Ancient Future, Georgia Kelly), and
fretless bassist extraordinaire Michael Manring (Michael Hedges, Will
Ackerman). Also featured is cellist Joe Hebert, who also has
recorded with Suzanne previously.
The energy of the album flows like waves with emotional peaks
and troughs. The recording begins with the poignant "For Lise,"
written for Suzanne’s friend who was walking in the woods with her
classmate 30 years ago, and after they decided to go their own ways,
Lise's friend was murdered. "It has haunted my friend all these
years and when I heard the story, it affected me too." The next
piece, "Wine Dark Sea," a reference to Homer's "Odyssey," shifts gears
to more world fusion and features McCandless' astonishing and bluesy
improvisations around the main melody. "Stromboli," an Italian
island famed for the affair of film director Roberto Rossellini and
Ingrid Bergman, is Ciani's tribute to the style of Italian movie
music. "Capri," an Italian island where Ciani lived for six
months, features energetic jazz flute improvs by Matt Eakle. Ciani
explores her classical roots on the somber "Eclipse." With "Open
Seas," Ciani captures the joy and freedom of sailing (and also revisits
the past since it includes wave sounds created on the Buchla and
Eventide SP2019 several decades ago). The jazzy "Dentecane" was
named after the small town in Italy where it was composed. "Snow
Crystals" features McCandless' oboe beautifully entwined with
Suzanne's piano. The bittersweet, melancholy "Sargasso Sea" is a
timeless piano-cello duet inspired by a mysterious place in the ocean
with very little wind and much seaweed where sailing ships were often
stranded.
On rare occasions Suzanne utilizes a vocalist on one of her
songs. On the title track of SILVER SHIP, Ciani wrote music to go
with lyrics provided by her sister, poet and visual artist Mary Ciani
Saslow (who designs all of Ciani's covers for Seventh Wave), and
enlisted singer Valerie Wilson, whom Suzanne worked with on advertising
jingles years ago in New York. A lullaby, "Silver Ship" concerns
itself with "sailing off to sleep and to this other world of dreams, a
psychic space where we can live other lives before coming home to what
we call the real world. It's also a metaphor for any of the
personal spiritual journeys we go on during our lives," explains
Suzanne.
"SILVER SHIP is a recording that bridges between the East Coast
and the West Coast, between Europe and the United States, between my
early days and the present, between acoustic and electronic sounds, and
between joy and sadness. All I can say is: Ride the waves."
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Suzanne Ciani
She was a pioneer in the field of
electronic music (one of the only women to even be involved 30 years
ago). She helped Don Buchla build by hand one of the first music
synthesizers (pre-keyboard-connected).
Ciani also helped pioneer the new age
music genre. The title track of her second album, THE VELOCITY OF
LOVE, was one of the very first national hits on new age radio stations
and helped define the format.
For many years Ciani was one of the top
SOUND DESIGNERS in America. Based in New York City, she created music
and sounds for the top advertising agencies and corporate Fortune 500
companies (the Columbia Pictures film logo, Coca-Cola, Merrill Lynch,
etc.).
Ciani was one of the first females to
score and perform a major Hollywood film (the Lily Tomlin movie THE
INCREDIBLE SHRINKING WOMAN).
Ciani was the first female voice heard in a pinball machine.
SILVER SHIP is her fifteenth album and it
combines her early electronic music roots, her even earlier classical
music training, her more recent acoustic piano forays, and
collaborations with her band, THE WAVE.
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